The Spirit Section : Understanding

321.5. ACT FIVE: Eliot*: “In the first part of Part V three themes are employed: the journey to Emmaus, the approach to the Chapel Perilous (see Miss Weston's book) and the present decay of eastern Europe.”

For the journey to Emmaus, see lines 328-330 and then 360-366; for the decay of eastern Europe, see lines 367-385; and for the approach to the Chapel Perilous, see lines 386-395. See also Weston**, From Ritual To Romance.  These themes, and the more prominent emergence of Eliot’s own voice without allusions (see lines 331-359), will lead to the poem’s “thunder” culmination, beginning at line 396.

After the sections of earth, air, fire and water, this might be called the quintessential “spirit” section of the poem, in which the poet begins to find understanding, or more properly a peace that passes understanding (see note 434).

THE VOICE OF THUNDER is the culminating metaphor of Prajapati’s lesson in the Brihadaranyaka Upanishad (see note 400), but thunder is also heard at lines 327 and 342.  It is also called upon by Flamineo in note 44, precedes the witches’ entrance at Shakespeare*, Macbeth 4.1.1 (note 308) and, while not alluded to directly, is the opening and prevailing “tempestuous sound” in Shakespeare*, The Tempest 1.1.1.

Thunder’s voice is also heard in Revelation* 10:4:

“And when the seven thunders had uttered their voices, I was about to write: and I heard a voice from heaven saying unto me, Seal up those things which the seven thunders uttered, and write them not.”

See also John* 12:27-30:

“Now is my soul troubled; and what shall I say ? Father, save me from this hour: but for this cause came I unto this hour.  Father, glorify thy name. Then came there a voice from heaven, saying, I have both glorified it, and will glorify it again.  The people therefore, that stood by, and heard it, said that it thundered: others said, An angel spake to him. Jesus answered and said, This voice came not because of me, but for your sakes.”

And see Job* 26:14:

“Lo, these are parts of his ways: but how little a portion is heard of him? but the thunder of his power who can understand?”

Finally, see the "thunder of infinite ululations" in Dante*, Inferno 4.1-9:

“Broke the deep lethargy within my head
     A heavy thunder, so that I upstarted,
     Like to a person who by force is wakened;

And round about I moved my rested eyes,
     Uprisen erect, and steadfastly I gazed,
     To recognise the place wherein I was.

True is it, that upon the verge I found me
     Of the abysmal valley dolorous,
     That gathers thunder of infinite ululations.”

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* see note 0.1    **see note 0.2